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Relief is the usual sculptural medium for large figure groups and narrative subjects, which are difficult to accomplish in the round, and is the typical technique used both for architectural sculpture, which is attached to buildings, and for small-scale sculpture decorating other objects, as in much pottery, metalwork and jewellery.

Relief sculpture may also decorate steles, upright slabs, usually of stone, often also containing inscriptions.

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Sculpture is the branch of the visual arts that operates in three dimensions. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process.

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Modern and contemporary art have added a number of non-traditional forms of sculpture, including sound sculpture, light sculpture, environmental art, environmental sculpture, street art sculpture, kinetic sculpture (involving aspects of physical motion), land art, and site-specific art. A collection of sculpture in a garden setting can be called a sculpture garden.

One of the most common purposes of sculpture is in some form of association with religion.

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Techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work; many of these allow the production of several copies.

The same is often true in Hinduism, where the very simple and ancient form of the lingam is the most common.

Buddhism brought the sculpture of religious figures to East Asia, where there seems to have been no earlier equivalent tradition, though again simple shapes like the bi and cong probably had religious significance.

The ability to summon the resources to create monumental sculpture, by transporting usually very heavy materials and arranging for the payment of what are usually regarded as full-time sculptors, is considered a mark of a relatively advanced culture in terms of social organization.

Recent unexpected discoveries of ancient Chinese bronze age figures at Sanxingdui, some more than twice human size, have disturbed many ideas held about early Chinese civilization, since only much smaller bronzes were previously known.